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OCTOBER/NOVEMBER 2000
NEXT OPA MEETING: Friday, November 10th at
Multnomah Art Center, 7688 SW Capitol Hwy in Portland.
6:15pm: SHOWCASE MEETING. If you are planning to apply for Showcase, it
is highly recommended that you attend this meeting. Since Showcase is a
cooperative show, it is important that all participants know how it is run.
Attending meetings helps to convey this information.
7pm: OPA BUSINESS MEETING: Call Nancy Hart to put items on the agenda.
Bring items for the swap table, Empty Bowls donations, announcements for the
room divider, finger food to share, etc.
7:30pm: PROGRAM. The program will be slide show on the traditional
pottery techniques of Kenya, Somalia and Sri Lanka. OPA member Laurie Childers
worked in the 80s as a consultant on various development projects in Africa,
Asia and the South Pacific, working primarily with potters making fuel-efficient
wood or charcoal cook stoves.
Such techniques and tools might at first glance be judged ‘primitive’.
However, Laurie has borrowed extensively from them for shaping complex spiral
seashell sculptural forms in a much more efficient manner than when she used our
‘western’ methods with wheel, coil and slab construction.
NEXT BOARD MEETING: Wednesday, December 6th, 6:30pm at 7875 SW Vlahos Dr
in Wilsonville. Take I-5 to exit 283, go east on Wilsonville Rd, turn left on
Town Center Loop, drive about a mile, turn left on Vlahos, turn left into
Sundial apartments. The meeting is in the leasing office building. Park in front
in a marked space, in any safe area with a yellow curb or on the street (do not
park by a red curb!)
NEXT NEWSLETTER DEADLINE: December 10th, 2000. Please write information
down and mail it to Janet Buskirk, 3624 SE Yamhill, Portland OR 97214.
2001 BOARD POSITIONS: Positions will be discussed
at the November meeting and listed in the December newsletter. All OPA positions
will be available (except 2001 President, who was elected last year), and
nominees will need to contact Nancy Hart before the end of December. Board
members are expected to attend all board meetings and take on one or two
committee jobs. Committee Chairs do not have to attend all meetings, but they
must keep the board informed about their activities. Showcase Committee Chairs
are not elected by the membership, they apply to the Showcase Steering Committee
for their positions.
FROM THE LAST BOARD MEETING:
SHOWCASE SLIDE PROJECTOR : The slide projector which
sits at the information booth at Showcase (the one with the built-in screen
which automatically shows slides) is no longer with us. It was, unfortunately,
stored in a member’s basement studio which flooded. It was not insured by OPA,
but we are making a claim with the city and may be reimbursed for its value.
SHOWCASE INFO & APPLICATION is included in the copies of this
newsletter sent to OPA members. To save postage, we are not sending the huge
Showcase application packet to our newsletter-only subscribers. If you should
have received a packet, call me now (Janet, 503-231-2810) and I will get
one to you. The deadline for applying for a booth or to show in the gallery is
November 13.
BEST OF THE NORTHWEST/OPA BOOTH AVAILABLE: The OPA has reserved a block
of ten booths at the Best of the Northwest Art Fair October 27-29 in Portland.
One participant has dropped out and we have an available 10x10’ booth.
Everyone from the wait list has been called, and no one has claimed this space.
If you are interested please call Barbara Hertel as soon as possible,
503-648-2483. (I think booth spaces are about $350. -ed)
CHANGE IN OPA BY-LAWS: A change was made in the wording of the OPA bylaws
to clarify the role of the Steering Committee in running Showcase. Previously,
the bylaws gave the Showcase Chair absolute authority on running Showcase, and
did not mention the role of the Showcase Committee Chairs in the running of the
show. The change states that “The Showcase Chair(s), steering committee and
Showcase committee chairs shall oversee the organization of the annual spring
Ceramic Showcase. The Showcase Chair(s) shall act as chair of the Showcase
steering committee. This position may be held by one or shared by two persons,
with co-chairs holding only one vote on Board matters. The Showcase Chair(s) and
steering committee shall have authority to make all Showcase decisions and
policies”.
For those who are mystified by how Showcase is run, the Showcase Chair is an
elected, board position within OPA. The rest of the Showcase Committee Chairs
are appointed by the Steering Committee. These appointments are made by
interested people reading the list of available positions in this newsletter and
applying to the Committee Placement Chair. This Chair then takes the
applications to the Steering Committee meetings.
The Steering Committee consists of: OPA President; Showcase Chair(s);
Publicity Chair(s); Treasurer; Building Chair; Bookkeeping Chair; Sales Chair;
Points Chair; Past Showcase Chair; Committee Placement Chair; and Secretary.
Showcase Steering Committee meetings are open to all OPA members, and any
Showcase Committee Chair (not only Steering Committee members) are allowed to
vote at these meetings.
OPA WEBSITE/ MEMBERS’ WEBSITES: OPA Web Master Jim Sloss needs new
slides of OPA members’ work for the “OPA Photo Gallery” on our website. Do
you have any newer slides? If so, please send them to Jim. This is a free
service. Also please contact him if you have your own website, and he can
include your address link on the member page. He is also looking for
photos/slides of OPA events, for instance the anniversary party. Send info to
3705 SE Locks Rd, Dayton OR 97114
OPA EQUIPMENT INVENTORY: The OPA has quite a lot of minor equipment and
supplies stored in various members’ homes. We are trying to make a list of
everything we own and where it is normally located. Included on this list will
be things like the adding machines we use at Showcase, the slide projector we
use at meetings, as well as little things like video tapes and books which have
sometimes floated around from member to member. The whereabouts of most of these
items are known by the board or the Showcase Steering Committee, but a few minor
things have been missing for a while. It also often takes a few phone calls to
discover where things are, and this list will be helpful. Please call Ginger
Steele, Maria Simon or Carol Sutton if you have any OPA items.
NEW VIDEOTAPE: A short documentary of the Women’s Anagama firing at the
East Creek kiln, “Anagama with Nils Lou” was filmed by Nathaniel Hitchcock,
a high school student in McMinnville. It will be added to the OPA video library
(from Moko Hori)
OPA ANNIVERSARY PARTY: The 20th anniversary party was a wonderful
success. The setting and weather were beautiful, the food was great, the music
was good and the company was simply the best! Thanks to everyone who attended,
and especially thanks to Dan Sheridan and his party organizing committee. We are
thinking of having celebrations more frequently, why wait to celebrate? The
highlight of the evening was when Ellen Currans gave a speech about OPA, how it
began and why the idea of it being a cooperative has made it the success that it
has become. Thanks, Ellen, for that special gift.
MEMBERSHIP DUES INCREASE: OPA membership has been $35 ($30 of which goes
to the OPA operating budget and $5 to Clay in Education) since 1996. During this
time, postage and other expenses have gone up. Therefor the board has decided to
raise dues by $5, to $40. There was also discussion of raising the portion going
to Clay in Education. This was not resolved and will be discussed at membership
meetings during the next year.
OPA JURIED SHOW: Victoria Christianson and Ted Vogel has been busy
arranging for a juried show of work by Oregon Potters. Nothing is concrete yet,
but they are meeting with Contemporary Crafts Gallery to discuss the possibility
of a show in March/April 2002, and they are also thinking about using the
gallery at Lewis & Clark College during the summer of 2001 or 2002. This
would have the drawback of needing to be staffed by volunteers (us) for many
hours each week. They are also planning to approach PNCA about their gallery.
More on this as it progresses.
JUSTICE CENTER WINDOW DISPLAY: Sandra Fenimore-Lauser is planning to have
a display of work from the Studio Sale Guide in the Justice Center windows. She
will accept seconds (the pieces are seen through a window from only one side, so
choose pieces which will look good if facing the right direction). If you have a
listing in the guide and have work which you would like to display, call her at
360-573-6087. (I do not have the dates for this. Sorry. -ed)
GREATER EUGENE COMMITTEE & CLAYFEST
CLAYFEST was held at the Lane County Fairgrounds on
the first weekend in October. This was the second annual show, and it was once
again a really great event. Sales were comparable to last year, just over
$54,000 and there were 53 booths (including half booths) as well as a gallery,
kids area and demonstrations. 4000 shoppers attended. The show went smoothly and
looked great. We all had, of course, hoped that sales would increase this year,
but we had to remind ourselves that $54,000 is great for a second year show
(Compare it to Showcase which made around $13,000 it’s second year). Thank you
to all of the participants in Clay Fest, and especially to the coordinators.
Good work, everyone!
LOCAL CLAY T SHIRTS: Local Clay has made some really nice T shirts which
say “Local Clay” with their logo (a calligraphed picture of a pot). They are
$15. Barbara Haddad is selling them, 541-607-3579
NEXT LOCAL CLAY GENERAL MEETING: Thursday, October 16, 6:30pm in room 202
at South Eugene High School. Kay Irish will demonstrate.
The award-winners at Clayfest were
Best of Show:
1st- Kenneth Standhardt, Large Lidded Vessel
2nd- Mary Hindman, Vessel Form
3rd- Ginger Steele, Three Boddles
Functional:
1st- Greg Tomlinson, Lamp
2nd- (tied) Hank Murrow, Serving Bowl Shino Revival
2nd- (tied) Susan Roden, Teapot & Four Cups
Beyond Functional:
1st- Marklan Linnemeyer, Drawing Down the Moon
2nd- Rebecca Urlacher, Untitled pit fired piece
3rd- Mary Hindman, Vessel Form
CLAY FEST WRAP UP MEETING: October 26, 6pm at Cheryl Kempner’s house,
4270 N Shasta Loop, Eugene
GROUP BUY
TIN OXIDE, COBALT CARB & COPPER CARB have been
purchased in 100 pound lots. If you are interested in buying any, call Victoria
Shaw (503-331-0950). Tin is $6.90/lb in 5 or 10 pound lots, cobalt carb is
$15.40/lb in 3, 5 or 10 pound lots, copper carb is $3.15/lb in 5 or 10 pound
lots. First come, first served. She is hoping to weigh it out on the afternoon
of Oct 31st and needs some help. Please call her if you are available. (This
will occur at Stark Street Studio in SE Portland). The goods will be distributed
at the November OPA meeting.
EMPTY BOWLS
There are now two Empty Bowls events organized by OPA or an OPA affiliate.
The next event will be in the first week in March in Eugene. It is organized by
Local Clay and Frank Gosar is chairing it. In Portland, Empty Bowls occurs on
Fourth of July weekend at the Blues Festival and is chaired by Marylyn Holland.
Both events are always looking for donations of bowls or other clayworks, as
well as for volunteers. You can bring donations to any meeting of OPA, Local
Clay or Showcase.
POTTERY NEWS
CERAMIC FIBER: An article in the Spring 2000
Global Ceramic Review discussed the classification of refractory ceramic
fiber (RCF) as carcinogenic. The fiber brands which they cover are European, but
may still be pertinent. RCF falls into two categories: silica based fiber (with
alkaline earth basis as well); and alumina/zirconia based fiber. Fibers were
analyzed based on three things: dimension of the fiber; durability of the fiber;
and dose inhaled deep into the lung. The smaller the dimension, the worse the
fiber because it must reach deep into the alveoli of your lungs to cause damage.
The durability is the amount of time the fiber remains in your lungs. The
carcinogen warnings in Europe have been placed on these products, and then
removed from the silica-based fibers. From what I can gather, however, none of
the studies they used were of people who actually use the fibers in kilns (they
were studying the manufacturers of the fiber). If what I have heard in the past
is true, ceramic fiber tends to break down and become smaller with repeated
heating and cooling and is probably more dangerous after it has been used for a
while. -ed
CRYSTALLINE GLAZES: Have you ever wanted to try those really cool
crystalline glazes? An article in the Sept/Oct Clay Times gives
step-by-step advice on clays, glazes, firing schedules, temperatures, etc. It is
really a fascinating article.
BALL CLAY & DIOXIN: The October Ceramics Monthly has a short
article about the EPA classifying ball clays as dioxin exposure risks. The EPA
is about to classify dioxins as human carcinogens, and ball clay from
Mississippi, Tennessee and Kentucky have been found to contain dioxin. They are
recommending that clay manufacturers be prepared to prove that their clays do
not present dioxin risks to their workers and consumers.
ASBESTOS IN TALC: Monona Rossol has an article in the Sept/Oct Clay
Times about the amount of asbestos that is in talc and therefor is in
crayons. Crayola’s orchid crayon had 2.86% asbestos! This has been traced to
RT Vanderbilt talc (NYTal, Ceramitalc). The reason this talc is on the market at
all is because there are two kinds of asbestos. One is an asbestiform tremolite
mineral which is the typically long, frayed fiber which is regulated by OSHA and
is proved to be cancerous. The other is a non-asbestiform tremolite which is not
regulated by OSHA and, while it is often milled into particles or fragments, it
also can form similar fibers. This talc allegedly contains the non-regulated
mineral. When this talc is sent to labs, though, technicians find those scary
fibers. Studies have also shown that Vanderbilt miners get asbestos-related
cancers. Be careful with your talc.
GERSTLEY BORATE: The Washington Potters Assoc Newsletter mentions that
Paul Lewing is collecting info on Gerstley Borate substituting (206-547-6591,
pjlewing@worldnet.att.net). Also there is an article by Mary Simmons at
www.gerstleyborate.com or www.digitalfire.com. A couple of points are that no
one material will work as a substitute in all situations, nor is there any
adequate substitute in glazes that are 80% GB. You may need to use a combination
of materials in order to get the flux, color and suspension properties that you
want. A suggestion is to run line blends of GB and the substitutes, and, if
possible, to start replacing half of your GB with frit (or whatever you use)
now. Using half frit, half GB will make your supply of GB last longer. Also,
Kickwheel Pottery Supply (in Georgia, 800-241-1895, kickwheel@aol.com) has made
a new low cost frit, “Murrays Borate” to replace GB in a one-to-one ratio.
MAKING STABLE GLAZES is the subject of an article in September
Ceramics Monthly. The article stresses the need for your functional pots to
have stable glazes, that is glazes that will not chemically degrade over time.
There are very few regulations or even guidelines for this, and the authors try
to establish at least some standard. They give do-it-yourself durability tests,
as well as information on labs which will do affordable testing.
WASHINGTON STATE CLAY EXHIBIT: John Davis, administrator of Seward Park
Art Studio, is hoping to start a Washington Potters Show and Sale at the
Washington Convention Center, May 4-6, 2001. It sounds like this is planned to
be a big event, with 130 booths, a large advertising budget, lectures, other
exhibits and more. This appears to be for Washington residents only. Call him at
206-722-6342. Commission will be on a sliding scale depending on how much work
the artist is willing to do.
FESTIVALS DIRECTORY: For $30 per year you can get three issues of the
Festival Directory for WA, OR, BC, ID, MT & AK. They also sell back issues
for $12 each. POB 7515, Bonney Lake WA 98390, 253-863-6617, info@festivalsdirectory.com
ART TOURS: Oregon State University Craft Center and the Corvallis Art
Center have put together a couple of tours for art aficionados. One is Art &
Architecture of Spain, March 25-April 2, 2001, $3165 from Portland. The other is
Art & Soul in Mexico, January 18-27, $2070. For more info contact Barbara at
541-456-4331, bgast@cyberline.com.
POTTERS IN NORTH CAROLINA: Are you going to NCECA in Charlotte this year?
OPA member Dulcie Lindsoe-Johanson has spent some time in that area and
recommends several places to visit if you can spend a few extra days in the
area. She recommends a side trip to Seagrove (84 miles from Charlotte, a dry
county so BYOB). The North Carolina Pottery Center is worth a stop, and there
you can pick up a map to the potters in the area (97 are listed). The potteries
in the pamphlet include place where they make face jugs, traditional groundhog
kilns, potters you may have heard of (Ben Owen and his family), and a bunch of
more obscure things. You might be able to get copies of these pamphlets by
calling the Pottery Center, 336-873-8430, www.ncpotterycenter.com
NEW BOOK: Ian Currie, famous for his great ways to test glazes and
ingredients, has a book called Revealing Glazes-Using the Grid Method.
This is his second book on testing glaze fluxes, alumina and silica in a
systematic way. People who used his first book say that it is indispensable.
CRAFTS AS ECONOMIC REDEVELOPMENT: The town of Cumberland MD, according to
an article in the Nov Crafts Report, is trying to lure craftspeople to
their quaint, but faltering, town center. They have made an ‘enterprise zone’
providing business tax credit and property tax credit to new investors. They
have large, old buildings that seem to be great studio spaces, and they feel
that crafts businesses would lure tourism and the ‘social climate’. Hmm, how
often are we actually credited with any economic impact? This is very
interesting.
ARTISTS HEALTH INSURANCE RESOURCE CENTER has information for artists
worldwide. 212-221-7300, http://www.actorsfund.org
CERAMICS IN ENGINES: Some items of interest from Sept/Oct Ceramic
Review: In Japan, ceramic composites are gaining acceptance for use in the
combustion chambers of small diesel engines. Ceramics are better than steel in
terms of heat insulation and corrosion resistance. The material used is a
mullite based mixture of alumina and silica with 15% zirconia added for
strength. There is also a heat-resistant ceramic material that will be used in
supersonic plane engines and is made of a mixture of alumina and ytttrium-aluminum-garnet.
This material has an intrinsic strength similar to steel and maintains this
strength at temperatures close to its melt point. The problems with ceramic
materials are that they tend to be brittle at low temperatures, and they are
difficult to cool down after they have been heated. There is also a mention of
silicon carbide and the fact that it does not easily become radioactive (always
good to know! I won’t get out my Geiger counter yet)
YMCA ARTS & HUMANITIES CENTER: The SE Portland YMCA is planning to
change their programs to aim more at children & teens. They are planning to
open an Arts & Humanities Center in their old athletic building. If anyone
is interested in helping with the planning, call Michael Mercer, 503-221-5342
ARTSWIRE is a communication network for arts community nationwide with
articles, jobs, funding opportunities. http://www.artswire.org
NORTHWEST LAWYERS FOR THE ARTS provide legal information to artists. 520
SW Yamhill, #1031, Portland OR 97204, 503-295-2787
CREDIT TO WHOLESALE CUSTOMERS: The November Crafts Report has an
article about when and why to extent different types of credit to wholesale
accounts. It explains the terminology of credit (net 30, pro forma, terms, etc),
as well as what to look for to determine if a customer is a good or bad credit
risk. If you are new to wholesaling, read this.
LICENSING AGREEMENTS: The November Crafts Report has an
interesting article on licensing (having a company mass-produce and market your
work). This article does not go into how to find a company to license your work,
but it does give a thorough list of things to do if a company approaches you.
With the right company, this could be a good way to earn extra income.
AFRICAN POTTERS are the subject of an article in the Sept/Oct Ceramic
Review. If you are thinking about traveling through Uganda and want to see
potters, pick up a copy of this
WOODFIRE NEWSLETTER: The Log Book is a new international
newsletter for woodfire enthusiasts. For more information, call Robert Sanderson
and Coll Minogue (in England) (44)01764 683273
ARTS DEADLINE LIST nationwide for all media, http://rtuh.com/adl/
OPPORTUNITIES
CALL FOR ENTRIES: Print processes and digital processes on clay (computer
technology used in creation of work) sought for actual & virtual exhibits at
NCECA. www.printandclay.net. Contact Les Lawrence, Grossmont College, 8800
Grossmont College Dr, El Cajon CA 92020, 619-644-7250, les.lawrence@gcccd.net
CALL FOR ENTRIES: Porcelain 2001, functional forms in porcelain, $25 fee
for up to 5 entries, deadline Dec 16, show Feb 23-March 24, send SASE to Esmay
Fine Art, 1855 Monroe Ave, Rochester NY 14618, www.pg1.com/esmay/
CALL FOR ENTRIES: New gallery in Pacific City (Oregon coast) is looking
for unique work, especially with Asian motif (raku, etc). Rick 503-965-7181,
http://www.pc-gallery.com/artists.html
CALL FOR ENTRIES: Multi Media exhibit, Gresham City Hall, deadline Feb
28, show April 24-May 24, no jury fee, juror Cynthia Mosser, call Lila
503-622-5133
HOLIDAY SALES OPPORTUNITY: at Art Factors on SW Macadam in Portland
(where Essence of Fire Gallery was in 1998 & 1999), Thanksgiving through
Christmas, 30% commission, $5 to $10 shared fees for OPA Studio Sale flier
listing. Contact Sumi Wu 360-693-6422, sumi@wustudios.com
CALL FOR ENTRIES: Ceramics 2001, $20-35 fees for 1-3 entries, deadline
Jan 8, show March 31-May 9, juror John Glick, Guilford Handcraft Center, PO Box
589, Guilford CT 06437
CALL FOR ENTRIES: The Stretch Invitational Exhibition, for work
stretching the limits of clay, $10 fee for 3 slides, deadline Jan 15, show March
19-April 14, send SASE to Afro-American Cultural Center, 401 N Myers St,
Charlotte NC 28202, artdoc@carolina.rr.com
CALL FOR ENTRIES: Strictly Functional Pottery National, deadline Jan 15,
show April 6-June 1, juror Linda Christianson, send business sized SASE to
Market House Craft Center, SFPN, PO Box 204, East Petersburg PA 17520
CALL FOR ENTRIES: Pour It On, open to work that deals with concept of
pouring, deadline Jan 22, show Feb 23-March 23, Robert Lauren Gallery &
Clayspot, 116 Pleasant St, Easthampton MA 01027, www.clayspot.com
CALL FOR ENTRIES: National Juried Cup Show, deadline Feb 15, show April
25-June 2, juror Kirk Mangus, send SASE to Anderson Turner, Gallery 138, 138 E
Main St, Kent OH 44240, Gallery138@Kent.edu
CALL FOR DONATIONS: Empty Bowls at NCECA: Potters in Charlotte, NC are
asking for donations of just one bowl from 500 potters throughout the country.
Are you going to NCECA? Take them a bowl! Chris Schafale 919-567-1098, candle@intrex.net
GIFT SHOW: The San Francisco International Gift Fair will be Feb 3-7 and
Aug 4-8. If you want more info, contact George Little Management, 914-421-3370
WORKSHOPS
RICHARD ROWLAND : Workshop on using local materials,
moldmaking and the woodfire process. Nov 17 2-5pm, Nov 18 9-12 at Pacific
University in Forest Grove, 503-359-2263
OAXACAN POTTERS: in San Marcos, Oaxaca, Jan 29-Feb 3. Mine clay, build
clay using 4000 year old methods, slip, burnish and fire. $595 includes
materials, local transportation, most meals. Eric Mindling, rayeric@rnet.com.mx,
www.manos-de-oaxaca.com
MEMBER NEWS
MEMBERSHIP IN OPA is open to any serious studio
potter living in Oregon or southwest Washington for $35 ($40 starting in 2001)
per calendar year. Membership is not pro-rated, it is for a January-December
calendar year. Membership benefits include six newsletters per year, six
meetings per year and the opportunity to apply for Ceramic Showcase. If you live
over 100 miles from Portland and do not plan to use the other membership
benefits, you may subscribe to the newsletter for $10 per year. Send your name,
address and phone number(s) to Sumi Wu, 5601 NE 45th St, Vancouver WA 98661
DEBORAH SHAPIRO is in the Menorah Invitational show at the Mittleman
Jewish Community Center, 6651 SW Capitol Hwy, Portland, Dec 2-29, opening Wed
Dec 6, 5:30-7:30pm. Mixed media with artists from OR, CA & Canada
LINDA HAWORTH was recently awarded a spot on the Design Team Artists
Roster for the Seattle Art Commission, a Seattle Public Library commission, and
is the only Portland finalist for the Tri Met Light Rail Interstate MAX station
at Lombard St. She is also fabricating a granite/laser cut metal bus
shelter/sculpture for the Tempe Library complex in Arizona and starting a glass
mosaic mural for a freeway frontage road in Tucson.
VICTORIA SHAW will have work in a new book by Michael Monroe titled Beautiful
Things published at GUILD.com
RURI is having her 4th biennial show at the Attic Gallery in Portland,
Nov 1-25, preview opening Wed, Nov 1. 1st Thurs opening Nov 2.
GAIL PENDERGRASS is in a recent Georgies TV commercial which is aired on
Martha Stewart Sunday mornings at 8:30am
JEANNIE CHO is having a show at Zen Gallery, 512 NW 10th, Portland, Nov
2-30. ‘Functional & Decorative Large Bowls & Plates’
KRISTEN APPLEGATE-KING & SHANE BLITCH have a new baby, Harrison
Hardy, born Aug 3, 2000 at 2:37am. Congrtulations!
RICHARD ROWLAND will be in two shows: ‘Faint Traces- Palimpset’ with
Jan Shield at the Kathrin Cawein gallery at Pacific University in Forest Grove
Nov 17-28, opening 12 noon Nov 17, slide lecture on woodfire 1:15pm Nov 17, free
(also see related workshop). Also ‘After the Fire- an Exhibit of Anagama Pots
and Process’ at Pacific Rim gallery, 108 10th St in Astoria, Nov 18-Jan 2,
opening Nov 18, 6pm, slide lecture 7pm. Richard was also featured in a story
about artists utilizing local materials in the Nov issue of Oregon Coast
Magazine
ADVERTISEMENTS
FOR SALE: Tri-Conn booth frame, all poles &
hardware for 10x10’ booth, $100. Craig Martell/Linda Owen, 503-363-7486 (Salem
area)
FOR SALE: dating from 1978, Ceramics Monthly & Clay Times
magazines, cheap. Cardboard pedestals with good lids. 2 sets of wood shelves,
fold up easily for transport. Plate holders. Molds for functional slab work.
Chemicals. Enameling supplies. Wood desk w/ 4 drawers. Chair on wheels. Mary
Walyer, 503-654-5098 (Portland)
FOR SALE: Spray booth, good condition, interior size 36x36x20h, $400.
700lb Minn Grolleg porcelain, $140. Throwing bats, laminate particle board 7/8”
by 20” and 19”, $5 ea. Potters’ stool w/ back, $50. Free collection of Ceramics
Monthly 1976-1996. Alyce Flitcraft, 503-282-1401 (Portland)
STUDIO SPACE WANTED: In Portland area. Sandy Brown, 503-552-8695
FOR SALE: 1000 lbs Clay Art c/10 Welsh clay body, good condition, $250,
you pick up in Seaview WA (2.5 hrs from Portland), 360-642-4727, matmcd@excite.com
FOR SALE: Shimpo Gold wheel. Skutt electric kiln (1027?). Both like new,
Ron 360-687-3882. Also kiln shelves & accessories (Vancouver WA area)
WANTED: High temp hard brick. Ruri 503-843-4375, RuriClayWork@aol.com
WANTED: Used potters wheel for high school student, $200-300, Sandy Brown
503-552-8695
CLAY STUDIO TO SHARE: $60/mo, North Albina area in Portland,
503-331-1676, Beth Mills
STUDIO SPACE AVAILABLE now, SE 50th near Hawthorne (Portland), easy
access to street, 400 sq ft, Natalie 503-230-1340
MENTOR WANTED: Looking for mentor for 7th grader through school program.
Meet 3-5 times throughout school year. Fees, money for supplies negotiable. Deb
Norby 503-288-8883
PROPERTY FOR SALE: suited for anagama kiln, south sloping, industrial
natural gas line bordering, 2.08 acres Hwy 99, Cottage Grove north, $75,000/obo,
Michael Balk, 541-726-0962
LOOKING FOR STUDIO SALE PARTICIPANTS/LOCATION: Are you looking for a
non-potter to add to the interest of your studio sale? Call this photographer to
see if her images compliment your pottery. Doris Beard 503-297-7906 (Portland
area)
SHOWCASE 2001
This section contains general information about the 2001 Ceramic Showcase,
applications for booths, gallery and OPA membership. It also contains the
Showcase Policies, a list of committees and chairs and a 2001 points form. Yes,
it is a tedious amount of paperwork, but unfortunately there seems to be no way
around that. You do need to fill out everything, since each page of your
application will ultimately be sent to a different committee chair. Blank spaces
mean that a harried committee chair will have a phone you to ask questions.
Showcase is cooperative show. This means that every participant must help
with the logistics of running Showcase. Everyone must work three 3-hour
workshifts during the show, and must work on a committee. Generally, the
workshifts are jobs relating to sales, bookkeeping or helping the public.
Committee work is more behind-the-scenes and may often be done months prior to
the show.
SHOW DATES: May 4-6, 2001 at the Oregon Convention Center in Portland
(set up May 2-3)
NEXT SHOWCASE STEERING COMMITTEE MEETING: Thurs, November 2, 6:30pm at
Nancy Hart’s home, 6161 SW Salmon St in Portland. Call for directions
503-292-2165
APPLICATION DEADLINE: Your application must be postmarked no later
than November 13th. Please mail it, do not bring it to the November OPA meeting.
Late applications for Showcase booths or gallery will not be accepted. Send
applications to Linda Bourne, 27309 SW 145th, Sherwood, OR 97140. If applicants
are worried about their application, they can either send them certified with a
return receipt (many people do this), or they can call Linda Bourne to ask if
she has received it (503-682-2228). Linda will make a list of applicants for the
December newsletter.
WHAT TO INCLUDE IN YOUR APPLICATION: Your signed application must
include your 2001 membership renewal, points form, One postdated check,
gallery application (if you want to be in the gallery), committee preference
form, workshift form, and equipment rental form (if you want to rent pipe &
drape, tables, etc). If any of this is incomplete or missing, your application
will be returned to you.
ADDITIONAL THINGS TO INCLUDE: Please send the following things to the
appropriate committee chairs. We also need your mailing list updates and
professional quality slides and photos of your work and you working. Slides
& photos (not color xeroxes or postcards) can be mailed to Linda Haworth,
Publicity Chair, 128 E Main St, Hillsboro OR 97123. Mailing lists can be sent to
Ginger Steele, 3285 NW Susbauer Rd, Cornelius OR 97113 (these can be on IBM
compatible disk, or any readable written form). More information on both of
these is below.
BOOTH FEES: Booth fees remain $75 for a full (10x10’) booth, $40 for
half (5x10’), and $25 for a space in the group booth. All booth participants,
including group booth participants, are required to pay a refundable fee of $75.
This deposit will be refunded if you participate in the show, or if you drop out
prior to March 1st. If you drop out after March 1st, this $75 will not be
refunded. Gallery participation requires no fee, but a 25% commission will be
retained. Pipe & drape is an additional $30 per booth.
POST DATE YOUR CHECK: For bookkeeping purposes, you must postdate your
check for January 1st, 2001. Please include one check for $40 membership,
your booth fee plus your $75 deposit. Pipe & drape money will be deducted
from your sales payment.
SHARED BOOTHS: Applications for shared booths or booths next to each
other should be submitted clipped together. You are encouraged to set up
gallery-like display areas, and may have 3-4 potters sharing two spaces.
GROUP BOOTH: The Group Booth is a large area which is shared by 20
people. You may apply to be in the group booth, or you may apply to have a
regular booth but choose to be in the group booth if you do not have enough
points to get a booth of your own. The cost for the group booth is $25 plus the
$75 deposit.
COMMISSION: Commission on booth sales is 15%, for gallery sales it is
25%. If you have a booth, your sales in the gallery will be only 15%. This year
we have lowered the commission, thus we do not intend to have a rebate.
SHOWCASE GALLERY: All members of OPA, regardless of length of membership
or points, are welcome to put a pot in the gallery. You must fill out the
enclosed application, omitting the section for “committees” and for “points”.
The deadline is still November 13, and you must renew your OPA membership with
this application. Gallery participants are required to work one 3-hour workshift
during the show.
CANCELLATIONS: If, after being accepted in Showcase, you find it
necessary to cancel, you must contact Linda Bourne, Showcase Registrar, as well
as the Workshift Chair, Committee Placement Chair, Gallery Registrar, Building
Chair, and your Committee Chair. Yes, these are a lot of calls, but they are
necessary. If you cancel after March 1st, you will not receive a refund.
WORKSHIFTS: These are necessary to put on the show. Each missed workshift
results in 5% being deducted from your check.
COMMITTEES: These are different from workshifts. They are equally
necessary for the show to happen. Committees do all of the behind-the scenes
work and operate year-round. Everyone with a booth in the show must work on a
committee. Committees are assigned by the Committee Placement Committee, and are
assigned based on your preference and experience. We try, but we cannot always
accommodate every desire. Please be prepared to learn fascinating new skills.
YOUR WARE & DISPLAY: This is a professional show. If you apply,
please plan to have an attractive display and enough work to fill your booth. If
you do not plan to have many pieces, consider applying for a space in the group
booth rather than a full or half booth.
MAILING LISTS: Our Showcase mailing list brings in about one third of our
customers. It is one of our best tools for advertising the show. Please collect
your mailing list (don’t forget address changes from last year!) and bring it
to the November or January meeting. You can submit them in a variety of ways: as
readable written copy; computer printouts in 3-column format; floppy disk (PC
format); or any other very clear method. The best method is on disk, as this
will save us money and you will get your disk back. Whatever written method you
use, skip a few lines between entries to make it easier to read. If you do not
bring it to the meeting, mail it to Ginger Steele, 3285 NW Susbauer Rd,
Cornelius OR 97113. 503-693-7721.
EMPTY BOXES NEEDED: Due to increased sales in the last few years, we have
run out of boxes to pack customer purchases at Showcase. It is not too early to
start saving them, we really need a lot! If your work has special packing needs,
please provide this.
PHOTOS: High quality photos of strong work help us get better press for
Showcase. Slides and black & white photos are used for advertising and the
poster. Slides work best for feature articles. We always want new work to give
exposure to newer members, we also want newer work from older members. Send them
to Linda Haworth, Publicity Chair, 128 E Main St, Hillsboro OR 97123. We do
publicity work year round, so send new slides & photos any time. This is a
great opportunity! Get your slides in the newspaper, on TV, on the poster, etc!
We distribute over 30,000 posters and 60,000 smaller fliers. For the poster we
look for a variety of shapes and the more you submit, the better your chances
and the easier our job is. We look for quality shots and a variety of
representative pottery and claywork to appeal to a wide audience.
FROM THE PUBLICITY COMMITTEE: Linda Haworth, Publicity Chair, is looking
for architectural and garden installation slides for possible Oregon Home
ad/article. She also looking for dinnerware place setting slides for an article
on bridal registry. As usual, she has been removing older slides from the photo
files. This file will be at the November meeting. Please look through it and
remove further old work, as well as adding new slides and photos.
We need many photos each year. The newspaper ads and the mailer take dozens
and they must represent current work, as show shoppers often look for the piece
they have seen on the mailer or in an ad. Those who put these ads together have
no way of knowing which is your most recent work, so it is up to the potters to
take care of their slide/photo file. Color slides are most commonly needed, but
some black and white photos are still used as well. We use these for the poster,
newspaper ads and articles, magazines, and more. This is a great opportunity to
have work published, but we cannot do it if we do not have the photos! Remember
that we can use more than one copy of each individual photo, since they may be
mailed to several different places. Mail slides & photos to Linda Haworth,
Publicity Chair, 128 E Main St, Hillsboro OR 97123.
Also, OPA has a Website. Jim Sloss, our Web Master, can always use more
slides and photos for this. Color is best. Bring them to the November meeting or
mail them to Jim, 3705 SE Locks Rd, Dayton OR 97114.
POINTS SYSTEM: Applicants for this show are ranked by earned points. In a
nutshell, points are earned for every year that you have been a Showcase
participant, an OPA member, for every major job you have done for Showcase or
OPA. Thus, people who have chaired many committees have more points and a better
chance of being in the show than people who have not worked as hard to make this
show or organization happen. Our points system has been worked and re-worked for
many years. This is a co-op show, and we cannot think of a system that is more
fair.
For new members, the best way to move up the list is to volunteer to help
out, and then to do the job for which you have volunteered. Please be patient.
We have all been there.
There are four ways to earn points in Showcase:
1. Annual membership, one point per year
2. Showcase participation, two points per year for having a booth, one point
for gallery participation
3. Committee Chair jobs. These vary from 6 to 15 points per year. Trainees
earn fewer points. Chairs may occasionally grant 1-2 extra points to
extraordinary committee members. Co-chairs for Show Chair, Publicity and
Building Committees both receive points. Chairs-in-training do not necessarily
receive points for their jobs.
4. OPA officers and board members receive 6 to 15 points per year, depending
on the job.
Points are deducted for failure to do committee work. Up to five points
per year may be deducted for this. This is at the discretion of the Steering
Committee, and disputes must be taken to the Steering Committee by Feb 28 for
the previous year’s Show points.
Incorrect Points Totals must be taken care of quickly. You will receive
your points total in January. Disputes must be received prior to February 28th,
and all Steering Committee decisions are final.
2001 SHOWCASE CHAIR: The 2001 Showcase Chair is Margie Adams,
503-235-0586. Sumi Wu has volunteered to chair Showcase 2002, and she is looking
for a co-chair. Please call her or Margie if you are interested.
ACCEPTANCE: You will be notified in January of your booth status and
committee assignment. If you are wait listed, you will receive a card with your
wait list number. People coming into the show from the wait list may only
receive half booth spaces.
LAST DATE TO LET PEOPLE IN FROM THE WAIT LIST: We will not be able to let
people in from the wait list after April 24.
INFORMATION PACKET: In April you should receive your information packet
which will include booth assignments and workshift information. It will include
many other important clues about this show. Please read it carefully.
COMMITTEE PLACEMENT:
If you have a booth in Showcase you must work on a committee. This is in
addition to your three workshifts which are assigned to you in April. Please see
the Showcase Policies for details regarding committee participation. Please
choose from the following list of committees and indicate your 1st, 2nd and 3rd
choices for committee work on the Showcase application form. There are a number
of committees which are vital to the success of Showcase. Please consider the
Publicity Committee, as it is the largest and most important for a successful
show.
COMMITTEE CHAIR POSITIONS: We now have a three-year term limit on jobs.
After three years, everyone gets a chance to apply for those coveted
points-earning jobs. You may re-apply for your old job. Most of the vacancies
are committee chairs who are at the end of their term now, and the Steering
Committee is reviewing new applications. If you are interested in assuming a
position of responsible leadership, please write to the Steering Committee (attn
Mark Heimann, 22009 S Lost Mtn Rd, Estacada OR 97023). Include a letter
outlining your qualifications (“served on the committee”, “bookkeeping
experience” etc), along with any relevant recommendations that you might have
(from the retiring chair, etc). Deadline for submitting applications in Nov 13,
2000. The Committee Chair vacancies are listed as “Chair Open” listings.
Those marked with a star (*) are positions from which the chair has retired. All
others are chairs who have served for three years and must re-apply for their
jobs if they are interested in keeping them. If you have a 6-point position and
have served for three years and are not listed, please assume it is an oversight
and re-apply anyway. If your position is listed as vacant and it is a mistake,
call Mark Heimann. If you are listed as a committee chair and do not want to do
it any more, call Mark right away. For all Committee Chair positions, contact
Mark. 503-631-8686, markmann@teleport.com.
ATTENTION ALL COMMITTEE CHAIRS: This list will be published in the
February newsletter. If it is inaccurate, please contact Mark Heimann. If you
can do with fewer people, want a change in personnel or desperately need more
help, let Mark Heimann know
AWARDS: Deborah Shapiro, Chair, 503-624-5780. Tally votes, post awards
for booth & gallery, help with awards reception, deliver pots to
photographer. Must be available Fri 9-11am, noon-2pm, and evening during awards
reception. 1 person needed
BOOKKEEPING: Greg Tomlinson, Chair, 541-396-2703. Ellen Currans, Craig
Martell, Linda Owen, Chris Gum, Ramona Searle, Mary Orcutt, Ken Pate, Tamae
Sawano, Julie Asbury. Committee full
BUILDING: (*Co-Chair open), Farshad Barman, Co-Chair, 503-223-2302. Ron
Fenter, Ann Fleming, Charlie Piatt, Don Sprague. Committee full
CHILDREN’S AREA: (Chair open, Kay Irish has served three years). Set
up, break down, transport supplies. 2 people needed.
COMMITTEE PLACEMENT: Mark Heimann, Chair, 503-631-8686. Janet Buskirk.
Committee full
DEMONSTRATIONS: Barb Campbell, Chair, 541-753-5664. Set up & break
down demo area. Obtain & transport one wheel, organize demo schedule. 1
person needed.
EQUIPMENT RENTAL: (Chair open, Doug Hively served three years). Set up
& take down chairs, coordinate pipe & drape rental & set up. 7
people needed.
EXHIBITOR SERVICES: Jeanne Charles, Chair, 503-233-2317. Help provide
& maintain food in relaxing hotel room. Good for out-of-town people. 5
people needed.
FLIER POSTING: (Chair open, Victoria Shaw & Natalie Warrens served 3
years). Must be available in early April. Need to gain permission and hang 30-50
posters in assigned Portland metro area. Transportation required. 20 people
needed
GALLERY DISPLAY: (Chair open, Pat Strauss served 3 years), Display work
that is brought for the gallery. Dennis Meiners, James DeRosso, Skye Etessami,
Rhoda Fleischman, Jan Rentenaar, Barry Glassman. Committee full
GALLERY PHYSICAL SET UP: Richard Roth, Chair, 360-785-3682. Transport
pedestals & display to & from Showcase, paint pedestals, set up gallery
fixtures. Helpful to have van or truck. Must be available all day Wednesday and
immediately after Showcase closing on Sunday evening. 9 people needed
GALLERY REGISTRAR: Susan Roden, Chair, 541-459-0772. Susan Fischel,
Leslie Lee, Susan Adams, Kat Neely-Jones, Laura Spiers, Leslie Green. Committee
full
GROUP BOOTH: Sandra Kvalheim, Chair, 360-686-8632. Help set up and break
down group booth display, paint fixtures, etc. Must be available during day
Wednesday & Thursday, Sunday night. Helpful to have truck or muscles. 3
people needed
HOLDING TABLE: Jim Keith, Chair, 541-759-2006. Set up holding table
before show and break it down after show. Must be available from time to time
during the show. 1 person needed.
INFORMATION BOOTH: (Chair open, Geri Lynn Enos served 3 years). Set up
info booth. 1 person
MAP: (*Chair open). Create the map that is given to patrons at the show.
Works closely with building committee as people are added & dropped from
show. 1 person needed
POINTS COMMITTEE: Tony Hackenbruck, Chair, 503-235-4417. Committee full
POSTER DESIGN: Cyra DuQuella, Chair, 503-257-7522, Committee full
PUBLICITY (THE MOST IMPORTANT COMMITTEE!!): Linda Haworth, Chair,
503-681-2011, Audrey Graham, Co-Chair. People needed to work on all aspects of
Publicity. 25 people needed
REGISTRAR: Linda Bourne, Chair. Committee full
SALES TABLE: (*Co-Chair open) Nan Niiranen, Chair, 360-423-1170. Help set
up and take down the sales table and facilitate the operation of the cash sales.
Efficiency w/ money & numbers helpful. 3 people
SECURITY: (Chair open, George Youngren served for 3 years). Be physical,
watchful presence between 6:30 and 8:30 am on mornings of Showcase while floor
is cleaned. Good for out-of-towners, 6 people
SIGNAGE: (Chair open, Gail Pendegrass, served 3 years) Make booth signs,
take care of outdoor banners. No committee members.
TRAFFIC: Jim Sloss, Chair, 503-864-3423. Oversee loading & unloading
of vehicles. Must be available Wed or Thurs during day, as well as Sunday
evening. Good for out of towners. 8 people needed.
TREASURER, OVERALL: Ramona Searle, Chair. No committee members
TREASURER-SALES: Cheryl Kempner, Chair, 541-344-3460. This committee is
in charge of the actual cash that is collected at the sales table. 1 person
needed to aid in the deposits, needs to be available on and off during entire
show.
TREASURER, CREDIT CARDS: Michael Fromme, Chair, 541-933-2678, no
committee members
WORKSHIFTS: Carol Lebreton, Chair. No committee members
WRAPPING: (Chair open, Gay Liebert & Chris Nielson served 3 years)
Coordinate the supplies for and set up the wrapping tables at Showcase.
SHOWCASE ACCOUNTING MEETING: There will be Showcase accounting meeting
Thursday, Oct 26th. A small group of people from the various
accounting/sales/treasury committees will meet to discuss improvements for the
Showcase bookkeeping system and write new procedures. All members are welcome.
Please call Julie Asbury if you would like to attend. 503-685-9140
BREAKAGE: Showcase pays for some types of breakage, and these payments
come directly from our profits. This is not an insurance policy. Every broken
pot for which we pay lowers all of our profits. The steering committee only
allows payment for breakage that is the fault of the show, not for breakage that
is caused by poor display design. The show does not pay for broken work valued
at under $20, and there are upper limits on the payments as well.
PIPE & DRAPE RENTAL: Pipe & drape is available for $30 per booth.
Please specify black or white. You can also rent tables (6’ or 8’). These
fees will be deducted from your Showcase sales check.
SHOWCASE 2001 APPLICATION
GENERAL
Fill out if you are applying for a booth or for gallery only.
Yep, everyone fills this out!
NAME____________________________________________ SOC SEC
#_____________________
EXACT NAME TO USE ON MAILER/MAP______________________________________________
ADDRESS________________________________________________________________________
CITY____________________________________ STATE_______ ZIP____________________
PHONE (HOME)________________________________(WORK)____________________________
__I would like a full booth space (10X10’) at $75+$75 deposit
__I would like a half booth space (5x10’) at $40+$75 deposit
__I would like a space in the group booth (approx 4 linear feet) at $25+$75
deposit
__I would like to be in the gallery area at no cost
__If I am on the wait list & a booth is not available I want to be in the
group booth
__I plan to share a full booth with________________________________(at $40
each, plus $75 deposit per person)
__I would like to group spaces with________________________________________
__I would like to rent pipe & drape in (circle one) black or
white.
__I would like to rent tables (specify quantity and size: 6’ long or 8’long)___________________
I HAVE READ AND UNDERSTAND THE POLICIES AND PROCEDURES FOR SHOWCASE 2001. I
AGREE TO ABIDE BY THE RULES AND REGULATIONS INCLUDED IN THE APPLICATION PACKET
SIGNATURE___________________________________________ DATE____________________
PAYMENT: Please write a postdated check, payable to OPA, for membership
renewal ($40), deposit ($75), booth fee, and CERF and/or Studio Potter Network
donation. Please date checks January 1, 2001.
Please complete all sections of this application and mail them by November
13th (postmarked) to: Linda Bourne, 27309 SW 145th, Sherwood OR 97140. Late
applications will not be accepted.
---------------------------------------------------------------------------------------------------------------------------------
PIPE & DRAPE RENTAL-SHOWCASE 2001
fill out only if you want to rent equipment for your booth
___Yes! Please rent me some pipe and drape! $30 will be deducted from my
Showcase sales check.
Color (circle one) BLACK or WHITE
___Please rent me tables! (Quantity)____ (Circle one) 6 FOOT or 8 FOOT long
Name_________________________________________
Telephone Number(s)______________________________________
Addendum to the Showcase Policies: The Showcase Chair(s),
Steering Committee and Showcase Committee Chairs shall oversee the organization
of the annual spring Ceramic Showcase. The Showcase Chair(s) shall act as chair
of the Showcase Steering Committee. The Showcase Chair(s) and Steering Committee
shall have authority to make all decisions and policies. The Steering Committee
shall consist of: OPA President; Showcase Chair and Co-Chair; Publicity Chair
and Co-Chair; Treasurer; Building Chair; Bookkeeping Chair; Sales Chair; Points
Chair; Past Showcase Chair; Committees Chair; Secretary. Showcase Steering
Committee meetings are open to all OPA members. All Showcase Committee Chairs
can vote.
SHOWCASE 2001 APPLICATION
GALLERY REGISTRATION
EVERYONE WHO WANTS TO DISPLAY A PIECE IN THE GALLERY MUST FILL OUT THIS FORM,
REGARDLESS OF WHETHER YOU ARE APPLYING FOR A BOOTH OR DISPLAYING ONLY IN THE
GALLERY
NAME______________________________________ SOC SEC
#__________________________
ADDRESS_______________________________________________________________________
CITY_______________________________ STATE_____________
ZIP_____________________
PHONE(S)_______________________________________________________
__I am applying for a booth in Showcase 2001
__I want to be only in the Gallery at Showcase (there is no charge for this,
however you must updated your membership and work a 3-hour workshift. Please
fill out the workshift sign-up form)
WORK SUBMITTED FOR DISPLAY IN THE GALLERY MUST BE CAPABLE OF BEING SAFELY
HANDLED WITH REASONABLE CARE. SHOWCASE RESERVES THE RIGHT TO REFUSE TO DISPLAY
ANY ITEMS NOT ABLE TO MEET THESE CRITERIA. PLEASE READ SHOWCASE BREAKAGE
POLICIES
POSTMARK DEADLINE FOR GALLERY REGISTRATION IS NOVEMBER 23, 2000. Late
applications not accepted
I have read and understand the Showcase policies and agree to the terms
therein.
Signature________________________________________ Date_______________________
SHOWCASE 2001 APPLICATION
POINTS FORM
All booth applicants must fill out this form. Gallery-only
applicants do not need to
Name______________________________________________________________________
Address____________________________________________________________________
City ______________________________________ State ___________________ Zip
___________
Phone (home) ________________________________ (work)
_______________________________
__ Check here if you have previously filled out a points form. List below any
additional committee chair jobs or OPA offices you have done since then. Thanks,
your done with this form
________________________________________________________________________________
________________________________________________________________________________
__Check here if you have not applied to Showcase within the past three years.
Fill out the form below
__ total years as an OPA member ___________________________________ dates (by
year)
__ total years in a Showcase booth __________________________________ dates
(by year)
__ total years in Showcase as Gallery-only _____________________________dates
(by year)
List below any committee chair offices you have held, the total number of
years and the dates that you held each job
__________________________________________________________________________________
SHOWCASE 2001 APPLICATION
WORKSHIFT SIGN UP
PLEASE FILL OUT IF YOU ARE APPLYING FOR A BOOTH, GROUP BOOTH,
OR IF YOU PLAN TO HAVE A PIECE IN THE GALLERY (YEP, THAT’S EVERYONE WHO IS
DOING THE SHOW IN ANY WAY)
Each booth participants will have three 3-hour workshifts. “Gallery-Only”
participants must sign up for one 3-hour workshift. Showcase participants unable
to help with a committee assignment will be assigned two extra workshifts. Fill
this page out completely- do not leave any blank areas!
Name________________________________________________________________________
Address______________________________________________________________________
City_________________________________________ State __________ Zip
______________
Phone(s)
_____________________________________________________________________
__ Gallery-Only Participant
__ If I am wait listed for a booth, I still want to be in the gallery
__ I am a committee chair and need to have my workshifts reduced
because____________________
__ I have a physical limitation which the workshift chair needs to know
about__________________
WORKSHIFT PREFERENCES: Please mark first three preferences, 1,2,3
(If you have experience at the Sales Table, sign up for Sales again! The less
time it takes to train folks, the better!)
__ I am willing to do any job at Showcase (thanks!!)
__ cash sales __ children’s table __ rover
__ VISA sales __ greeting __ holding table __ security
__ sales tags __ aisle host __ demonstrate __ tag runner
__ information __ gallery host __ wrapping __ lobby display
__ I am willing to work any time, any day. Put me where you need me (thank
you! If you checked this box, you may ignore the rest of the form)
__ due to my job or other conflicts, I cannot work at these
times/days:_________________________
__ I would like all my shifts on one day (will require back to back shifts)
__ I do not want back to back shifts
__ I would like the same job for all my workshifts
__ I would like different jobs
__ I have 10-key, accounting or cashier experience
PREFERRED WORKSHIFT TIMES: Check four (last shift ends 1/2 hour after we
close)
FRIDAY SATURDAY SUNDAY
__ 10am-1pm __ 10am-1pm __ 10am-1pm
__ 1-4pm __ 1-4pm __ 1-4pm
__ 4-7pm __ 4-7pm __ 4-5:30pm
__ 7-9:30pm __ 7-9:30pm
We will make every effort to get you where you want to be, when you want to
be there.
SHOWCASE 2001 APPLICATION
COMMITTEE PREFERENCES
PLEASE FILL OUT IF YOU ARE APPLYING FOR A BOOTH OR GROUP BOOTH
IN SHOWCASE
(GALLERY ONLY PARTICIPANTS DO NOT NEED TO FILL THIS OUT)
NAME ___________________________________________________________________
ADDRESS_________________________________________________________________
CITY____________________________________ STATE ______________ ZIP __________
PHONE(S) _________________________________________________________________
PLEASE LIST COMMITTEE PREFERENCES IN ORDER OF CHOICE (see list in newsletter)
fill this out even if you are aready placed on a committee or already a
committee
1. _____________________________________ 2. ________________________________
3. _____________________________________
__ I have physical limitations which would prevent you from doing a Showcase
job (please explain).
__ I have 10-key, accounting or cashier experience
Everyone who plans to participate in Showcase with a booth, in the group
booth or in the gallery must renew their membership now!
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