UPCOMING EVENTS

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• OPA Bisque Bowls for Gather:Make:Shelter

  • Start
    Thu, September 30, 2021
  • End
    Sat, October 30, 2021
  • Registered
    19 registrants

  Register

  
  

  OPA Bisque Bowls 
  for 
  Gather:Make:Shelter

  

  Gather:Make:Shelter has asked OPA members to join in collaboration

  for their end-of-year, gift-giving event. Black and white bowls (underglazed by

  GMS houseless members, thrown and bisqued by OPA members)

  are specially made for GMS end-of-year giving season.

  
  

  Want to learn more about Gather:Make:Shelter ? CLICK HERE

  
  

  Donated bisque bowls will be received by Gather:Make:Shelter and workshops will lead by Dana Louis, and Maddy Dubin at GMS headquarters daily for houseless members to come paint, eat lunch and receive stipends.

  
  

  Money made by this program goes to support future workshops, provide stipends for our houseless members, help our work with the c3po houseless villages and have shows at the headquarters (featuring artwork made by houseless individuals)
  

  
  

  Please RSVP to this event by September 30th to join in for this opportunity.

  
  

  OPA members sign up by RSVP'ing to this event.

  Gather Make Shelter will supply clay

  to all ceramic artists and potters that register.

  
  

        
  

  
  

  Participation Details

  GMS is asking OPA potters

  to create 7 to 12 inch wide bowls

  using either red or white clays

  that fire to cone 6.

  IMPORTANT DEADLINES FOR PARTICIPATION

  Sept 30th: RSVP Deadline

  October 30th: Bowl Preparation Deadline

  November 1st: Bowl Drop Off Deadline

  Gather:Make:Shelter would like to know how much clay each potter would like to receive and how many bowls they plan to make ahead of time.

  PLEASE COMPLETE THIS REQUIRED FORM TO PARTICIPATE

  FORM HERE

  More Details about this gift-giving event from GMS:

  • Customers may order bowls in bulk to be picked up at GMS HQ or delivered ready to ship for a fee
  • Bowls are sold in sets of 5 or 10
  • Pre Orders made before Sept 19 will be able to pick up bowls by Dec 1
  • Limited run ~500
  • Bowls will arrive in attractive gift packaging in GMS colors; each bowl includes a card signed by the artist(s) and a short explanation of the project
  • The program celebrates the connections between people, highlighting the gratitude of relationships between colleagues as well as connecting recipients to the artists in the project
  • Money made by this program goes to support future workshops, provide stipends for our houseless members, help our work with the c3po houseless villages and have shows at the headquarters (featuring artwork made by houseless individuals)

  
  

  Show details
• Pop Up Gallery

  • Start
    Mon, November 01, 2021
  • End
    Sat, January 01, 2022
  • Location
    300 SW Yamhill Downtown Portland
  • Spaces left
    3

  Register

  Pop Up Gallery

  WHAT: Pop Up Gallery for 50-60 OPA Members

  WHEN: November 15 - December 31

  WHERE: 300 SW Yamhill in downtown Portland

  Prosper Portland has granted OPA a 3,000 square foot prime retail location for a Pop Up gallery. The proposal we submitted described a gallery for emerging and long-standing OPA members, run cooperatively, with a low commission taken and participating members filling all work roles. A team has come together to begin planning this new venture.

   

  We envision a bright open space - shelves brimming with work and clusters of pedestals highlighting large pieces. A card rack with greeting cards featuring photos of member’s work, a Christmas tree studded with handmade ornaments and a demo area will add interest to our unique establishment.

   

  We will be open November 16^th - December 31^st, Tuesdays*-Sundays, 10am-6pm, with possible extended holiday hours. We will have access to the space beginning November 1^st and that is when onsite preparations will begin. *Possibly Mondays, too.

  Participating members will:

   

  ·        Pay $30 to register. (refunded with payment)

  Form for registration will be emailed after payment comfirmation. Please check your email after you pay to complete the form.

  ·        Help to prep the site, be on the social media team or help break down the site

  ·        Work seven 4.5-hour work shifts to staff the shop between Nov 16^th-Dec. 31st.

   

  A 20% commission will be taken on all sales,

  with the figure dropping to 15% for everyone,

  if gross sales for the 7-weeks top $100,000.

  Payment checks will be issued by January 31st, 2022

  Shifts can be once a week or days clustered together. These work shifts will be in the realm of customer service - cashier, wrapper, shop attendants, security, demonstrations, etc. We are planning to have 4-5 folks in the shop at all times.

   

  We estimate having room for 50-60 members to participate, with 20% of those slots being reserved for our BIPOC & AAPI members.

   

  We see this as a wonderful opportunity for OPA to try something new. As such we anticipate there will be a lot of learning as we go. It is essential that all of those involved fulfill their obligation and be flexible and kind to each other. 

   

  This is not just a sales opportunity,

  but also a time for members to build relationships

  by working along side each other.

  All members in good standing are welcome to register.

  We want to show off the depth & breadth of OPA members’ work!

  
  

  
  

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• East Creek Anagama November Firing

  • Start
    Sat, November 06, 2021
  •  
    9:30 AM
  • End
    Sat, November 27, 2021
  •  
    6:00 PM
  • Location
    Willamina, OR

  Register

  Join the East Creek Anagama firing crew in firing your pots for 5 days and nights in Willamina, OR. Each firing will be led by experienced wood fire-ers and provide the opportunity to learn, connect, and serve your inner pyro. Sign up for your chance to participate in a spring firing! 

  Firing Style: Hot and glassy, our goal will be to keep functional glazes functional.

  Your Pots: Each member can sign up for 1-2 CF. If there is space available closer to the firing date, we will allow members to purchase additional CF.

  Loading: Your bisque fired pieces must arrive at East Creek by 9:30am on Saturday, November 6. You are welcome to come out Friday to glaze and wad pots, and would be welcome to camp out on site. Opportunities for Portland drop off and for in person delivery will be available. In case of COVID escalation, a pickup service may be established. The OPA will help to organize these logistics for each firing.

  The firing: We welcome you to participate in as much of the firing as you would like, but we ask that you come to at least one 8 hr shift during the firing from Nov. 8-14. We will also be loading and firing our new Catenary Arch Wood Soda kiln, and you will be able to have some of your pieces included in that firing. An online scheduling mechanism will be available, and we will also establish a schedule during the loading.

  Your finished pots: Each participant must come to the unloading that will take place on Saturday, November. 27 to share in work and festivities!

  This offering is available for OPA members only.

  
  Loading: 11/6/21 - 11/8/21

  Firing: 11/8/21 - 11/14/21

  Unloading: 11/27/21

  
  
  

  
  

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• OPA Board Meeting

  • When
    Tue, November 09, 2021
  •  
    7:00 PM
  • Location
    Zoom Link in Description

  Register

  Join us for our virtual meeting! 

  Topic: OPA | Board Meeting Room
  
  Join Zoom Meeting
  https://zoom.us/j/92446141847
  
  Meeting ID: 924 4614 1847
  Dial in number: 253 215 8782

  
  

  Show details
• OPA Board Meeting

  • When
    Tue, December 07, 2021
  •  
    7:00 PM
  • Location
    Zoom Link in Description

  Register

  Join us for our virtual meeting! 

  Topic: OPA | Board Meeting Room
  
  Join Zoom Meeting
  https://zoom.us/j/92446141847
  
  Meeting ID: 924 4614 1847
  Dial in number: 253 215 8782

  
  

  Show details
• Pre-Recorded Online Demonstration: Learn How to Make a Robot Monster with Metal Parts with James DeRosso

  • When
    Fri, December 31, 2021
  •  
    12:00 AM
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 3/31/2021. Run time is 01:58:51.

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only and will expire on 12/31/21. For non-personal use & licensing questions, please contac t president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  This is a workshop demonstrating how to create a robot monster that includes added metal parts. James will show how he works through the initial creative process of designing and sketching a monster that incorporates found metal objects. He'll show his slab and sculptural techniques for building a vessel and also demonstrate specific monster making skills. This workshop will explain how to calculate the fitting of metal parts with consideration of clay shrinkage and also how to adhere those parts after the firings.

  You Will Learn:

  1. Learn design and sketching techniques

  2. Learn slap and sculptural clay building techniques

  3. Learn techniques for combining metal parts, including calculating clay shrinkage and adhesives

  Materials Needed:

  • Clay - James uses Timberline Sculptural, cone 6, and White Salmon with grog, cone 6

  • Clay sculpting tools
    

  • Clay slicing wire tool or fishing line

  • Ruler or tape measure

  • Water dish with clay added to make slip

  • Ware boards or a porous work surface - James uses Hardie-Boards the size of my table tops

  • Sketch pad and pencil

  • Found metal objects such as engine gears, faucet handles, camera lenses...

  • Two-part epoxy - James uses PC-7 because it's black

    
    

  Show details
• Pre-Recorded Online Demonstration: Pierced Vessel with Amy Fields

  • When
    Fri, December 31, 2021
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on July 29th, 2020. Run time is 1:50:24. 

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  In this workshop Amy will demonstrate her process in creating a pierced vessel. Amy's vessels begin on the wheel and are pierced just after trimming. Amy will discuss various tools used in the cut out process and ideal stages of dryness of the pot as it is carved. She will also go over cleaning the burrs after piercing.

  You Will Learn:

  1. Ideal stage of dryness of the vessel to pierce.
  2. Tools and techniques for creating an evenly spaced pierced vessel.
  3. Cleaning rough edges before firing.

  Materials Needed:
  

  • A small thin vessel, something that might hold approximately 8oz.
  • Hole and/or shape cutters.
  • Water and a small smooth sponge.

  Show details
• Pre-Recorded Online Demonstration: Press Mold Magic: A Beginner's Guide to One-Piece Plaster Mold Making for Sculpture & Beyond with Kendall Jones

  • When
    Fri, December 31, 2021
  •  
    12:00 AM
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 5/19/2021. Run time is 01:30:52. 

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only and will expire on 12/31/21. For non-personal use & licensing questions, please contac t president@oregonpotters.org.

  Final sale, no refunds permitted.

  

  A simple one-piece plaster push mold can help you create sculptural pieces efficiently and each piece can still be unique! Get over your fear of plaster and fall in love with the possibilities of quickly replicating your original sculptures which you have spent hours refining. From your detailed original, learn to make a basic plaster mold with readily available materials. I will show you how I use molds of my original sculpts of human and animal faces to create one-of-a-kind pieces. This is NOT an advanced mold-making course demonstrating two-part molds for slip-casting, but rather a class meant to show the versatility of simple press molds.

  This class is best to first attend and watch, then attempt. When you are ready to attempt, here are the materials you will need:

  Supplies (not necessary for class time, but needed in order to try the project on your own)

  • a small sculpture in wet greenware, (less than leatherhard) and prepped to prevent undercuts
  • cottle boards, old plastic yogurt containers or paper cups to use as mold frame (depends on size of original)
  • A surface to make the mold on (a granite or marble tile or counter or a melamine tray are first choices)
  • fresh potters plaster (store in a sealed plastic container)
  • Measuring cup
  • postal scale (maybe optional)
  • old mixing bowl (or from the dollar store)
  • old mixing utensil or hand
  • wet clay (for mold set up and casting)
  • water
  • wood and metal modeling tools
  • clean up implements: rags, paper towels
  • Vaseline or Murphy's soap

  Objectives:

  1) Learn to prepare an original piece of wet greenware for a one-piece mold and set up your mold frame

  2) Learn to mix plaster, pour, and refine your mold for casting

  3) See how I cast my molds and applications in which I use my castings

  
  

  

  Show details
• Pre-Recorded Online Demonstration: How to Make a Copper Repoussé for Clay with Michael Simmons

  • When
    Fri, December 31, 2021
  •  
    12:00 AM
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 3/24/2021. Run time is 00:38:06.

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only and will expire on 12/31/21. For non-personal use & licensing questions, please contac t president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  
  

  Participants will watch how Michael sets a preliminary contour line drawing onto a flat sheet of copper, how to tape down the picture and place a piece of foam under the copper to allow indentation or embossing lines by the drawing stylus instrument. Michael will then show participants how to permanently attach the finished copper repoussé to a circular object. Michael will also show and explain how to press a copper repoussé salmon onto a flat slab of clay.

  You Will Learn:

  1. Showing how to produce an expressive permanent copper repoussé object of your choice and attach it permanently to a hard circular roll

  2. The experience of using new materials for participants to create a new and different way to manipulate clay

  3. This created copper repoussé device will make for less time to create many new images, both single use, multiple use, and use it compositionally

  Materials Needed:

  • One rolled out slab of clay

  • One or two Copper tooling sheets 12” wide by 9” inches, 30 or 36 gauge thickness. Check local art stores for copper tooling sheets, or order # 0401500(A)A191 at $31.45 each through NASCO Education catalog, 1 800 558 9595

  • 1 wooden board to go under the copper tooling sheet.

  • One sheet of felt to go between the Copper tooling sheet and the wooden board, to be able to indent and make the copper tooling sheet take the indentation of the stylus tool to create the grooved lines.

  • Stylus tools: 1 chinese chopstick, barely sharpened and rounded end, 1 quarter inch wooden dowel, barely sharpened with a rounded end, and 1 thicker primary pencil with rounded end – these will be used to press into the taped paper drawing and Copper tooling sheet underneath

  • Tube of "Liquid Nails" smaller tube (or) caulking tube of "Liquid Nails" and one inch putty knife to spread it around

  • Thick, round, 10" inch to 12" diameter cardboard hollow tube that you can get at Home Depot, and saw/cut off a 10" to 12" length for this project

  • 1"inch wide blue painter's masking tape or 1" inch wide regular masking tape

  • Create a sketch of one of your favorite icons, symbols, animal head, or body, fluer de le, flower, or one of your existing designs that you have created in the past for your pottery making. Reduce your contour line drawing to just a few important lines, bare bones sketch. Keep your drawing to about 10” inches by eight” inches so the pressed repose’ design stays up to two inches away from the 12” inch outside edges of the Copper plate

  • Optional: Have a Slab of clay already rolled out that is a little wider than your 10” inch X 8” inch drawing on paper, and place a plastic sheet over the slab of clay till Michael demonstrates how to roll the thick round cardboard hollow roll over his copper tooling repoussé 
    
    You may experiment with your stylus and Copper tooling sheet before my class starts if you can get the supplies ready beforehand.

  
  

  Show details
• Pre-Recorded Online Demonstration: Handbuilding Teapots and Cups with Textured Clay with Ginger Steele

  • When
    Fri, December 31, 2021
  • Location
    Online, Link will be Emailed
  • Spaces left
    499

  Register

  
  

  

  This is a video recording of a demonstration which took place on July 22, 2021. Run time is 1:52:03. 

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.
  
  

  Clay slabs cut to size with a template will be decorated with stamps, then conditioned and used to build cups and teapots. A hand built spout will be made on a mandrell, and handles will be pulled from cups and teapot. Technique for hand building a teapot spout without a mandrell will also be demonstrated. There will be a discussion of making your own pattern stamps from leather hard clay blocks.

  
  You Will Learn:

  1.  An understanding preparation of clay slab for accurate hand building.
  2. How to draft patterns and make templates to repeat dimensions.
  3. How to join clay components for perfect firing
     
     

  Materials Needed:

  • Dimensions of circles and rectangles to be cut from a 3/16" thick fresh clay slab are listed below. A 20"" x 20"" slab of clay will be sufficient for a single teapot, and a 12"" x 20"" slab of clay of the same thickness will make 4 cups. Clay should be soft to allow for clear impressions from stamping tools. Please note that the clay for a hand built spout should be thinner; 1/8" approximately.

  • Potters will need a ruler, right triangle, serrated rib, small sponge, a small container of water, and newspaper on which to work. Any stamps or texture mats participants have may can be used to create texture on their component pieces. I also use a small brayer extensively - the kind that has a roller about 1.5"" wide that is available where wallpaper supplies are sold. Wood is preferable to plastic if you can find one! Available on Amazon as *Amazon Basics Wallpaper Seam Roller.*

  • A small turntable is helpful for assembly, and very useful for hand building the teapot lid. Sheet plastic for covering work in progress is necessary. Dimensions for components: 1) teapot body - 13.75" x 5.5""; 2) lid - 5" circle; 3) bottom and shoulder - 4" circles - cut 2; 4) spout - 8" x 4"" x 1/8"; 5) Other pieces - 12" x 4" slab; 6) Mug 9.50" x 4"; 7) Mug bottom - 4" circle. Please also have a pattern for a 3" diameter circle.

  

  
  

  The Zoom Demonstration will be recorded and sent out to all registrants if you want to attend but have a scheduling conflict during the live demonstration.

  Since this is an online workshop, you will need to have a computer, tablet, or phone that can run video conferencing in a browser or app.

  Show details
• Pre-Recorded Online Demonstration: Making a Collage Plate Out of Thin Slabs of Clay with Stephanie Burton

  • When
    Fri, December 31, 2021
  •  
    12:00 AM
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 5/26/2021. Run time is 01:47:06. 

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only and will expire on 12/31/21. For non-personal use & licensing questions, please contac t president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  My collage plates are reminiscent of a mixed media collage, however, we will be using clay! With a combination of hand-carved stamps and various other textures from my stamp collection, we will be creating a collage plate using a menagerie of different textures. I enjoy pairing a glossy glaze next to a matte glaze to add some additional interest!

  
  

  You Will Learn:

  • Good craftmanship using slab construction and multiple hand building techniques
  • A new arsenal of tools & methods
  • About brushing glazes and a few glaze design aesthetics

  
  

  Materials Needed:

  • large clay slab
  • small or large bisque plate form
  • work surface (I use 2.5x2.5 drywall from home depot/lowes (precut)
  • two smaller boards (larger than your bisque plate form)
  • assortment of stamps (large & small)
  • large & small cookie cutters with a scalloped edge
  • rolling pin
  • ruler
  • large & small brush
  • squeegee or a soft Sherrill Mudtools
  • exacto knife
  • corn starch
  • thin plastic
  • water
  • serrated tracing wheel (optional)
    
    

  

  
  

  Show details
• Pre-Recorded Online Demonstration: Illustrative Pots - A Deep Dive in Surface Exploration with Jessica Faulk

  • When
    Fri, December 31, 2021
  •  
    12:00 AM
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 3/17/2021. Run time is 01:05:23. 

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only and will expire on 12/31/21. For non-personal use & licensing questions, please contac t president@oregonpotters.org.

  Final sale, no refunds permitted.

  

  In this workshop we will explore a number of ceramic surface decoration techniques: fine line carving, sgraffito, craft foam stamps and mishima. Jess will be doing a step-by-step demo of how she achieves her fine carved lines employing the use of underglazes and tinted glazes with a likeness to wash watercolor. 

  You Will Learn:

  1. A broader knowledge of technical surface approaches

  2. How to most easily execute the techniques
  3. Aesthetic choices for future ceramic projects.

  Materials Needed:

  • Leather hard pots or slabs (to use as canvases for surface exploration)

  • Any or all: a needle tool, Craft knife (x-acto or other), Kemper WS wire Stylus (https://www.baileypottery.com/c-090-ws.html)

  • Small sponge

  • Preferred underglazes (Jess likes AMACO velvet underglazes)

  • Paint Brushes (Jess prefers watercolor brushes because they hold more material)

  • Wax resist

  Show details
• Pre-Recorded Online Demonstration: Make a Pitcher with Suay Ceramics

  • When
    Fri, December 31, 2021
  •  
    12:00 AM
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 5/5/2021. Run time is 01:31:28. 

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only and will expire on 12/31/21. For non-personal use & licensing questions, please contac t president@oregonpotters.org.

  Final sale, no refunds permitted.
  

  
  

  Clay is an amazing material with a unique balance of rigidity and malleability. Join Samuel Newman of Suay Ceramics to explore the challenge of capturing the softness of clay in the form of a pitcher. We will focus on the technical elements of throwing a pitcher, forming and altering your rim, and fitting a handle to your form!

  
  

  You will learn:

  1. How to throw and alter a Suay Ceramics Pitcher

  2. How to pull, cut and form a pitcher spout

  3. How to design and attach your Pitcher Handle

  
  

  Suggested Materials:

  Internet Connection

  Clay Journal 

  Show details
• Pre-Recorded Online Demonstration: Pinch, Pull and Push Your Cat: Simple Sculpting with Carrie Kitzke of Studio Mimmi Ceramics

  • When
    Fri, December 31, 2021
  •  
    12:00 AM
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 3/10/2021. Run time is 1:38:43. 

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.
  
  

  
  

  Learn how to sculpt a cat with Carrie Kitzke of Studio Mimmi Ceramics. In this 1.5 hour workshop you will learn the foundations of pinching/pulling a form. This workshop will guide you through the steps of creating a cat and how to make simple a simple push mold for ladybugs and mushrooms. We'll discuss the merits of solid sculpting and how it can help create uniform work. Carrie will demonstrate techniques learned from hand sculpting over 1,000 clay kitties. She has taught this sculpting method to both kids and adults, its great for beginners or experienced ceramicists looking for something new. The techniques in this class are transferable to Sculpey so participants don't need a kiln to participate. 

  Younger kids should work with an adult and might only be interested in the “kitty making” which will be the first 45 mins and then we’ll focus on push molds for the second half. 

  You Will Learn:

  1. Learn how to sculpt a cat.

  2. Learn how to make small push molds and add cute details

  3. Learn skills that are transferable to oven-bake or air dry clay
     
     

  Materials Needed:

  • Clay (a 4 oz ball and some extra) OR an oven bake clay alternative like Sculpey (2 oz package for one cat, plus extra for details) 

  • Needle tool (or a tooth pick)

  • Sponge

  • Water

  • Scratching/scoring tool 

  • Slip 

    Note: if you're using Sculpey you only need two 2oz packages and a needle tool or tooth pick. Rubbing alcohol can be used to smooth unbaked Sculpey. 

  Show details
• Pre-Recorded Online Demonstration: Can You Handle It? with Samuel Newman

  • When
    Fri, December 31, 2021
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on July 8th, 2020. Run time is 2:00:22. 

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  Handles are like chess, simple to learn but difficult to master. An intentional handle can really elevate the most basic form. Come join me in this 2 hour hands-on workshop as I demonstrate and articulate my view points on what makes a successful handle. We'll primarily focus on pulling a handle off of the mug with an emphasis on harmony and function. 

  You Will Learn:
  

  1. How to pull a handle off the mug.
     
  2. Why handles need more attention than the actual vessel.
     
  3. How to find balance and harmony through your handle on a difficult form.

  Suggested for Workshop:
  

  • Leather hard mug
    
  • Wedged ball of clay - 1 lb
    
  • Scoring tool
    
  • Sponge
    
  • Water
    
  • Clay Journal for notes

  
  

  
  

  Show details
• Pre-Recorded Online Demonstration: Making a Lidded Jar for an Atmospheric Firing with Chris Baskin

  • When
    Fri, December 31, 2021
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on July 8th, 2020. Run time is 1:01:11. 

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  In this workshop I’ll share my passion for forming pieces for atmospheric kilns. Showing some of my favorite clay forming techniques, (coil and throw additions, faceting, and cutting feet), I'll demonstrate a technique I’ve personalized for making a lidded jar.

  Interwoven with the forming of clay is the birth and life of ideas, creation of personal meaning, of community and world.  As an artist/potter I work and play with these concerns using tools of metaphor, analogy, and critical thought.

  How do we move work and ideas forward?  What touchstones provide insight and perspective for ceramic artists?  How do we connect deeply to both the larger human story, and our contemporary context.  I’ll share how histories, myths, and traditions all inform and root my personal studio practice and fill a reservoir from which to draw.

  You Will Learn:
  

  1. Technique to make an enclosed form become a lidded jar on a potters wheel.
  2. How to fit slips to clays and utilize crackle slips for bisque and green-ware.
  3. Ways for listening to, learning from and moving forward with your work.
     
     

  
  

  
  

  Show details
• Pre-Recorded Online Demonstration: Monster Making with James DeRosso

  • When
    Fri, December 31, 2021
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on September 9th, 2020. Run time is 2:02:45. 

  This class is discounted due to some issues with the audio in the first ~4 minutes of the recording, due to some attendees not being muted.

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  In less than two hours you will create your own clay monster. The tools and techniques are very basic and the workshop is suitable for kids and adults. Detailed instruction and demonstration will be given to guide you through the entire process of making your own original creature of disgust. Instruction will also be given on how to stain and glaze, or how to use paints to add a wash and colors.

  You will learn:

  Participants will learn expert monster making techniques, along with basics in forming and joining clay parts. Instruction will also be given in figurative sculpting and posturing to express personality and emotion. There will be detailed demonstrations of texturing and monster appendage making.

  Materials needed:

  • ceramic clay - White Salmon with grog or a low-fire white clay body
  • air-dry clay if not firing in a kiln
  • 2 chopsticks (1 that is round at both ends, 1 that has a square end)
  • 2 round toothpicks
  • small water dish
  • small work board - hardy-backer/mason board, or wood, or a porous type surface
  • ceramic stain - iron oxide or a mix of iron and copper oxide
  • ceramic underglaze - "Duncan Concepts" - red, green, blue, yellow, black, white
  • acrylic paints if using non-fire clay
  • small paint brushes

  Show details
• Pre-Recorded Online Demonstration: How to Throw a Squared Lidded Jar with a Round Lid with Patrick Horsley

  • When
    Fri, December 31, 2021
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on September 23rd, 2020. Run time is 1:46:40. 

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  

  I will demo the throwing and altering of a tall cylinder. The throwing of a round lid and flange to attach to the squared cylinder and its sizing .The extrudes of parts for applied feet and attaching. The throwing of a knob and its manipulation. A discussion about clay, slips and the final glaze treatment.

  You will learn:

  The ease to discover and expand simple thrown shapes into more complcated shapes. The use of dies and extrudes to make editions to your work. The idea of engineering and planning to broaden your view of what can be made as a potter.
  
  

  Materials needed:

  A notebook for taking notes and drawing ideas, and slip glaze info

  Show details
• Pre-Recorded Online Demonstration: Making Sauerkraut Crocks with Dwayne Sackey

  • When
    Fri, December 31, 2021
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on October 7th, 2020. Run time is 1:21:47. 

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  During the demo I walk the participants through the different components and throwing processes involved in making a sauerkraut crock for fermenting cabbage. The participants will learn to make the vessel along with the lid and knob as well as ceramic weights.
  
  

  Materials needed:

  A notebook and pen

  Show details
• Pre-Recorded Online Demonstration: Intro to Image Transfer through Decal Application with Alicia Craft

  • When
    Fri, December 31, 2021
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on October 14th, 2020. Run time is 2:05:57. 

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  

  Decal application is a fresh and exciting way to transfer images onto clay. The options are limitless - both commercially made and individually produced decals can provide a range of colors, photographic likenesses, and detailed imagery.
  

  In this course, Alicia Craft will introduce the fundamentals of ceramic decals: appropriate application, tips to avoid transfer issues, firing work, and problem solving. Alicia will also discuss how she creates the decals she uses within her own work, altering and adjusting imagery for crisp transfers. *Please note, this course will not go in depth on Photoshop or other image editing software which is largely outside of the scope of the allotted time.
  

  
  You will learn:
  

  1) The variety of decals available to the ceramic artist 
  2) Decal application and problem solving
  3) Firing variables, potential defects, and testing
  

  
  Materials needed:
  No materials are required to learn about the decal application process. However, if participants would like to apply decals alongside the workshop demonstration:
  

  • Fully fired ceramic item- glazed or unglazed (no bisqueware)
  • Pre-made ceramic decals
  • Container with clean water
  • Clean sponge

  Show details
• East Creek Anagama Reduction-Cooled January Firing

  • Start
    Sat, January 08, 2022
  •  
    9:30 AM
  • End
    Sat, January 29, 2022
  •  
    6:00 PM
  • Location
    Willamina, OR

  Register

  Join the East Creek Anagama firing crew in firing your pots for 5 days and nights in Willamina, OR. Each firing will be led by experienced wood fire-ers and provide the opportunity to learn, connect, and serve your inner pyro. Sign up for your chance to participate in a spring firing! 

  Firing Style: Reduction Cooled, This reduction-cooled firing of the anagama will result in a more intense color palette than other firings, and the interruption of smooth glassy surfaces with textured, glittery, tectonic surfaces. While these surfaces are beautiful, be aware that they may exhibit some roughness or reduced functional qualities.

  Your Pots: Each member can sign up for 1-2 CF. If there is space available closer to the firing date, we will allow members to purchase additional CF.

  Loading: Your bisque fired pieces must arrive at East Creek by 9:30am on Saturday, Jan. 8. You are welcome to come out Friday to glaze and wad pots, and would be welcome to camp out on site. Opportunities for Portland drop off and for in person delivery will be available. In case of COVID escalation, a pickup service may be established. The OPA will help to organize these logistics for each firing.

  The firing: We welcome you to participate in as much of the firing as you would like, but we ask that you come to at least one 8 hr shift during the firing from Jan. 11-17. An online scheduling mechanism will be available, and we will also establish a schedule during the loading.

  Your finished pots: Each participant must come to the unloading that will take place on Saturday, January 29 to share in work and festivities!

  This offering is available for OPA members only.

  Loading: 1/8/22 - 1/10/22

  Firing: 1/10/22 - 1/17/22

  Unloading: 1/29/22

  
  

  
  

  Show details